I mentioned this a few weeks ago, briefly, and the other day decided to try something a little bit different in terms of elaboration. Despite the drawbacks, and my lack of talent, I wanted to mess round with a visual medium and had this bright idea of trying my hand at a visual interpretation of each track on the release, but I wanted it to contain a smilar, unifying thread (as does the release itself), so here’s what I did…
I made the particularly inspired choice to google for an image of a moth (yup, firing on all cylinders that day) and chose this one:
Not that it probably matters, but that’s an Emperor Gum Moth, which I chose primarily for the relatively blank canvas of the wing span and the leaf-like shape and texture of the antennae (see a full colour version of the above photo here). I basically divided the image into five segments, then re-made it using whatever I felt like while I listened to each track. So here’s my visual interpretation of Mothhunting:
In amongst the panels, along with original segments of the photo, is the following: a snake eye; bee wings, legs and body; a fish, a metal screw; blood vein; wire mesh; paper; smoke; sand; water; glass; salt and Hungarian words; with touch ups, filtering and effects using both Photofiltre and a couple of bits n’ pieces on Photobucket, like the frame once it was all re-assembled.
Each of those components represents an element in the respective songs, though as the specific components I chose were down to purely personal interpretation, I’ll leave you to do the same. What I will say is that you may note there is an underlying tone that is consistent throughout each panel, that various textures are prominent, yet generally maintain that tone in some way. Most of them have subtle backgrounds intended to indicate certain forms of movement, which are underneath the more present forms in the music and generally fluid, but occasionally fractured.
I shared the first track, Ghost Doze, last time, so take a listen to the title track Mothhunting.
Mothhunting is due out on Music Ruins Lives soon, and you can order the CD here.
Oh, and I’m not quite sure why I went for Hungarian as a language in there – I originally chose Japanese but that didn’t work. I am, however, a big fan of sweet paprika, a deep, coppery-red powdered spice that also comes in smoked and (very) hot varieties. I often cook large pots of Hungarian goulash, to which generous portions of paprika is added, and is a favoured dish to cook during winter. I suspect that, for some reason, that little cottage on the cover is entrenched in my mind as belonging to some Hungarian village somewhere.